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Caliban ~ Forsaken Horizon


a glance back, a glance into the now tears sweeten the day, but the aftertaste is bitter where are the good old times, where is my dependence – bullet! in your presence my memories swallow me moment for moment you throw me back a new way, the same paths, old fears I'm the tool of my demons, they hide the depths of my soul, in darkness (I'm not ready for this way, to open up, to give – blade!) let me go before I end, lonely. I cannot be what I am Fill me with new hope. more free lyrics

a glance back, a glance into the now
tears sweeten the day, but the aftertaste is bitter
where are the good old times, where is my dependence – bullet!
in your presence my memories swallow me
moment for moment you throw me back
a new way, the same paths, old fears
I'm the tool of my demons,
they hide the depths of my soul, in darkness
(I'm not ready for this way, to open up, to give – blade!)
let me go before I end, lonely.
I cannot be what I am
Fill me with new hope.

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Today, beautiful European and American music, an Afrobeats recorded in Lagos, can play in headphones in Tokyo; a South Korean idol group can fill an Argentine stadium to capacity. On Spotify, the playback volume of African music has increased by 500% in five years; K-pop has already transcended the Asian border and become a common language for young people all over the world; Latin music has consistently topped the streaming charts for several consecutive years. The world is getting smaller while the scope of music is expanding.

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When the lights dim and the first note is played, strangers become synchronized. The tremor when thousands sing together, and the melody that still echoes after the crowd disperses - this is an experience that no screen can convey. We look forward to the return of large-scale concerts to the essence of music, and we also look forward to small livehouses continuing to nourish the most vibrant soil of music.

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