Free Lyrics 2026

Moonspell ~ Tired


Maybe I am the man with those mystic two heads one facing down, the other facing back but I don't know who I am and you still don't know who I am Maybe I am the man with the legendary four hands To finger, to heal, crave and strangulate but I don't know who I am and you still don't know who I am I am exhausted of returning to a place I've never been I am exhausted of returning from a place I've never been Maybe I am the man of the universal two words The lie and the lie, the scorn and the scorn You want to know how I am To forgive me what I am I am exhausted of returning to a place I've never been I am exhausted of returning from a place I've never been I forgot who I am but I am too tired to be it I forgot who I am but I am too tired to live/leave it I am exhausted of returning to a place I've never been I am exhausted of returning from a place I've never been more free lyrics

Maybe I am the man with those mystic two heads
one facing down, the other facing back
but I don't know who I am
and you still don't know who I am

Maybe I am the man with the legendary four hands
To finger, to heal, crave and strangulate
but I don't know who I am
and you still don't know who I am

I am exhausted of returning to a place I've never been
I am exhausted of returning from a place I've never been

Maybe I am the man of the universal two words
The lie and the lie, the scorn and the scorn
You want to know how I am
To forgive me what I am

I am exhausted of returning to a place I've never been
I am exhausted of returning from a place I've never been

I forgot who I am but I am too tired to be it
I forgot who I am but I am too tired to live/leave it

I am exhausted of returning to a place I've never been
I am exhausted of returning from a place I've never been

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Globalized Sounds

Today, beautiful European and American music, an Afrobeats recorded in Lagos, can play in headphones in Tokyo; a South Korean idol group can fill an Argentine stadium to capacity. On Spotify, the playback volume of African music has increased by 500% in five years; K-pop has already transcended the Asian border and become a common language for young people all over the world; Latin music has consistently topped the streaming charts for several consecutive years. The world is getting smaller while the scope of music is expanding.

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When the lights dim and the first note is played, strangers become synchronized. The tremor when thousands sing together, and the melody that still echoes after the crowd disperses - this is an experience that no screen can convey. We look forward to the return of large-scale concerts to the essence of music, and we also look forward to small livehouses continuing to nourish the most vibrant soil of music.

Crossing Borders

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